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    Southwestern Beauty in Arizona

    A very short time ago, we ventured out west, taking a 2 week road trip around the southwest.  Starting in Las Vegas, Nevada, we ventured into Arizona.  The red rocks, vast skies, and dramatic lighting made us feel like the entire state was on fire.  This was my second visit to the Copper State and [...]

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    Elephant Crossing

    In 2007, we returned to South Africa to film a documentary for the National Geographic Channel.  We spent many days driving in a Land Rover all over Kruger National Park watching lions, impalas, buffaloes, hornbills, and other interesting animals.  On one late afternoon, we decided to take a leisurely drive returning to camp so that [...]

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    Battle at Kruger: The Inside Story

    My business partner, Buzz, and I are widely known as the filmmakers of the Battle at Kruger, a battle over a baby calf between a pride of lions, a herd of buffalo, and a crocodile. We shot the scene in September 2004 at a watering hole adjacent to Transport Dam in South Africa’s Kruger National [...]

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    How to Shoot a Sunset (or Sunrise)

    Sunsets are a wildly popular photographic subject. And for good reason. Sunlight pouring in from the horizon, bouncing off clouds in a myriad of colors, is a feast for the eyes. But how many times have you looked at a sunset photo, ooh’d and ah’d at the colors, and then moved on with little memory [...]

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    Shooting a Moving Landscape

    Nature photographers love capturing that iconic mountain-lake landscape. We all know that image of dramatically lit mountains reflecting in the still waters of a lake or pond. Clichéd? Perhaps. But that has not prevented photographers (including myself) from trying. While in Alaska, I tried shooting the Sawyer Glacier from a moving cruise ship. Here are [...]

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    Southwestern Beauty in Arizona

    A very short time ago, we ventured out west, taking a 2 week road trip around the southwest.  Starting in Las Vegas, Nevada, we ventured into Arizona.  The red rocks, vast skies, and dramatic lighting made us feel like the entire state was on fire.  This was my second visit to the Copper State and I fell in love with it all over again.  Click here to visit my new Southwest | Arizona gallery.

    Sunset at Horseshoe Bend, Page, Arizona (Jason Schlosberg)

    Sunset at Horseshoe Bend, Page, Arizona

    While I’ve mixed my old and new images, believing that the terrain is timeless, the vast majority of my new images are up front for your viewing pleasure.  I will be sharing my Utah and Nevada images in a future post.

    We initially stayed in Tusayan, right outside the Grand Canyon National Park. With only a 10 minute drive to the south rim,

    Slideshow: Southwest | Arizona Photography Gallery

    we had access to one of the most amazing views in the world.  I knew that shooting the canyon would be a challenge.One of the most photographed locations in the world, it has become difficult to create a new, unique image.  With only three days, I would not have time to “wait for the light.”  Its vastness also makes it difficult to comprehend in my viewfinder.  My cousin David recently sent me an e-mail that I think says it well:

    The Grand Canyon is perhaps the most seductive, and at the same time most elusive, object of photography in the world. One is forced to take dozens and dozens of pictures, from different angles, at different times of the day, from different ridges, trying desperately to capture something of its majestic, unfathomable beauty, but it is always useless. The pics never ever come out even close to doing the canyon justice, no offense to Jason. But, I don’t think anybody ever really has, not even the ones who take those glorious slides you can buy in the gift shops. There is a certain TEXTURE and scale and depth that just can’t be captured. If cameras could capture the emotions of the people taking the pictures as they view that magnificence, then the pictures might come closer.

    I feel that David’s statement has some truth to it, but misses the photographic mark.  Thus, I responded:

    I am inclined to agree with you that it is potentially impossible to capture the grandeur of the canyon. However, I believe that I, along with my fellow photogs, are humble enough to be satisfied with only capturing parts of it. The goal of a fine art photograph is not necessarily to capture all that is beautiful about the subject. We can only venture to do our own small parts. For instance, many portraitists may photograph the entire human body or a headshot, many others, such as Mapplethorpe, will find incredible beauty in a small curve, an interesting angle, even an elbow.

    While you appear to lament the need to “take dozens and dozens of pictures, from different angles, at different times of the day, from different ridges,” in a desperate attempt to capture the canyon’s beauty, I believe to the contrary! The canyon is so giving and dynamic that it affords us the opportunity to continually take new and fresh images on a daily basis. I can sit here and photograph my calculator to death. Sure, some of them will be pretty unique from one another, but there is only so far I can go. The canyon provides us with exponentially more options and inspirations. There is no need to capture its entire essence. I am quite satisfied with photographing an inkling of its beauty.

    We also spent a few days in Page, Arizona.  While the civilization of Page is nothing to write home about, its location is spectacular.  From its hillside, you stare right into Glen Canyon.  How majestic!  The town is also minutes from Antelope Canyon, Horseshoe Bend and Lake Powell.  The local food is also amazing!  I had quite possibly the greatest breakfast of my life at the Ranch House Grille.  Fresh eggs, tasty western hash browns, and a chicken fried steak to die for.  I needed some serious hiking to burn all of that off.  While I photographed the chicken fried steak for my personal collection, I have opted to share with you the incredible vast landscapes available in an around Page.

    After a few days, we ventured along 89A to pass the Vermilion Cliffs and Marble Canyon before heading into Utah.  The entire drive took a little longer so we could stop and take photographs along the way.

    I hope you enjoy the gallery.  When you finish looking at it, please come back here and provide your comments to this post!

    Elephant Crossing

    In 2007, we returned to South Africa to film a documentary for the IMG_0387-2.jpgNational Geographic Channel.  We spent many days driving in a Land Rover all over Kruger National Park watching lions, impalas, buffaloes, hornbills, and other interesting animals.  On one late afternoon, we decided to take a leisurely drive returning to camp so that we would enter the gates before the 6pm curfew.

    On the way, we stopped suddenly after spotting a leopard lounging in a leaf-barren tree.  We photographed the beautiful cat as the sun set behind it.  We had little opportunity to see leopards, since they are nocturnal and night safaris are apparently not permitted in the state-run park.  So we sat there, engine idling, watching the leopard basking on a branch in the pink and blue colors of the sky.

    Before we knew it, time had flown by.  We were in danger of not getting back to the camp on time.  Frank, our guide, put the Lleopardsunset02-2.jpgand Rover in gear and rolled forward.

    During one of the game drives, there was a herd of elephants crossing the road. We of course had to stop. Not just to look at them, but because we feared they would run us down. They are fierce creatures! Donna was videotaping the elephants crossing the road.  She wanted to capture the animals to show her mother, who is such an elephant lover.

    While I was photographing the family of elephants crossing the road, my vision was blocked. Thinking it is one of the crew members stepping in front of me, I lowered my lens. I realized quickly that a “baby” elephant was standing righelephantsunset01-2.jpgt next to our vehicle, less than a stone’s throw away, and had walked right into my view. It made eye contact with Donna, who then exclaimed “holy crap!” The elephant wiped its trunk on the bumper and I continued shooting.

    Once the baby elephant lost interest in us, it wandered off after its family and into the sunset, which at this point had turned into a cosmic orange and purple.

    When we arrived back at camp, we found a gooey present that the baby elephant left for us on the front of the car!

    Battle at Kruger: The Inside Story

    lions02b.jpg

    My business partner, Buzz, and I are widely known as the filmmakers of the Battle at Kruger, a battle over a baby calf between a pride of lions, a herd of buffalo, and a crocodile. We shot the scene in September 2004 at a watering hole adjacent to Transport Dam in South Africa’s Kruger National Park.

    My wife Donna and I met Buzz and his wife Cheryl a few days earlier.  We were all staying at Pretoriuskop Camp in Mpumalanga and were all assigned Frank Watts as our safari guide.  Frank would pick us up at around 6am before the sunrise and drive us throughout the park for hours.  We would stop for lunch, take a few hours break, and then take another afternoon game drive.  To avoid being fined, Frank would have to drop us off at and depart our camp by 6pm.  This was our safari routine for a few days.

    Most people don’t really see much action.  Like them, we were satisfied finding animals grazing or just moving around in their natural habitats.  I was equally enthralled by the savannah’s horticultural landscape.  I shot many rolls of film (this was a couple of years before I transitioned to digital) while Buzz frequently used his video camera, which Cheryl had been given as a corporate gift from her employer.

    We shared Frank as a guide for a few days and would frequently go to Transport Dam to see what wildlife would congregate.  There seemed to be a crocodile or two living in the watering hole.  Otherwise, other animals like impala and elephants would come by for a drink.  No animal appeared to be in danger from one another and we were quite content watching the peace.

    stkkrugerlion10.jpgOn Donna’s and my last day of safari, we all agreed to return to the watering hole to spend most of the afternoon and eventually watch the sunset.  When we arrived, we parked in an area between the watering hole and a herd of buffalo.  On the watering hole’s right shore was a ridge, where a few lions basked in the sun.  We watched them nap, roll over, stretch, and look otherwise non-threatening.

    stkkrugerlions10.jpgAt one point, the elder female lion started walking down the ridge and along the shore towards us.  As we learned from Frank earlier in the week, we had very little to fear.  If we stayed seated, the animals would only perceive our Land Rover as one large rock.  We would only draw unwanted attention if we stood up or hung out the window.  Under no circumstances were we allowed to leave the vehicle, even if we did not see any animals around.

    The female lion walked right up to and around our vehicle, eventually stopping in the grass in front of us for a rest.  She did not seem to mind the buffaloes grazing 20 yards behind us.

    Some of the buffaloes started slowly walking away from us towards the left bank.  Instead of continuing into the distance, they started to circle the shore.  I raised an eyebrow, wondering what would happen if the buffaloes continued closer towards the lions.  The buffaloes moved quite slowly.  I noticed that our time was getting short, thinking that we may soon have to return to the camp for the 6pm curfew.  If we were going to see any action, I hoped it would happen soon.  It was our last hour of safari and I did not want it to end.

    At one point, most of the herd slowed down even more.  A small handful of buffaloes continued.  Two adults and a baby buffalo led the walk, which got closer to the ridge where the lions rested.

    battle02.jpgThe lions noticed.  Three of them turned around and faced the oncoming buffaloes.  They lied down and stretched to hide in what little tall golden grass surrounded them.  Something was going to happen.

    The three buffaloes were getting closer, oblivious to the lions’ presence.  They were upwind so they could not smell the lions.  With their poor eyesight, they could not see the lions.  But then the largest buffalo stopped.  He looked up, noticed the great cats, and quickly turned around to run away.  The cats pounced.  The three on the ridge were joined by another that was hiding on the other side.  They were soon overtaken by the female lion that started her attack from near our vehicle.battle04.jpg

    As the chase curved around the watering hole’s edge, the lioness pounced on her easiest target, the baby buffalo too small and too slow to get away.  They both became airborne and rolled into the water with a mighty splash.  My jaw hit the ground.  I was intent on keeping quiet so as not to disturb the action.  Buzz, Cheryl, and a British woman in our vehicle kept exclaiming.  I was just worried about running out of film as I kept shooting what would eventually unfold.

    battle06.jpgThe other lions jumped into the water.  One clamped its jaws down on the baby buffalo’s snout, trying to suffocate it.  Others chewed and tugged, trying to bring the bovine out of the water.

    battle14.jpgA small splash occurred a few feet away.  Moments later, a crocodile revealed itself and snapped at one of the lion’s feet.  It then came up again, turned its head, and took a sideways bite out of the buffalo’s hind leg, trying to drag it into the water.  An epic tug-of-war ensued between the lions pulling the buffalo uphill onto the shore and the opportunistic crocodile trying to bring it into the watery depths.

    Ultimately, the lions won.  Once the crocodile was dragged onto the shore, he realized that he was exposed to danger, so he quickly released the buffalo and disappeared into the water.

    At that point, we felt certain that the baby buffalo was near its end.  After being stretched in half and bitten by some of nature’s fiercest animals, we were surprised to see that it was still alive.  A modicum of hope began to rise in us when we saw a black mob of beasts coming from the left corners of our eyes.  A cavalry of buffalo had returned to save the baby!

    battle15.jpgSnorting and huffing, the herd surrounded the lions, which soon became trapped with the watering hole at their backs.  They buffalos edged closer as the lions stubbornly held onto their prey.  All animals showed some level of fear and courage at the same time.  Seated in my vehicle, looking through the lens of my camera, my own adrenaline started to pump.

    After a few seconds, a lion was easily chased off by a single large buffalo.  Then, out of nowhere, what appeared to be that same buffalo circled around the side and attacked.  With a large horn, he scooped a lion up and threw it into the air.  When the lion landed, it immediately jettisoned out of there along the bank.  It was chased by a handful of buffaloes until it was safely out of the way.  Another lion scurried in the other direction.

    battle17.jpgGaining more courage, the circle of buffaloes began to close in on the three remaining lions.  A large buffalo then stepped forward to be nose-to-nose with the cats.  The baby buffalo then miraculously rose off its feet, despite a lion grasping at its hindquarters.  Whether by accident or design, the large and baby buffaloes engaged in a small head butt.  The baby bounced back a bit and then freely walked back into the herd, disappearing from our sight.

    battle19.jpgThe lions snarled, upset that they lost their meal and fearful since they were still surrounded, and were then chased away one by one.

    This event was certainly by far the most amazing thing I have ever seen.  It happened on our last hour of safari.  The action only took 8 minute and 24 seconds to unfold.

    How to Shoot a Sunset (or Sunrise)

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    Sunset over the Arno River, Florence, Italy: Canon 5D, f/7.1, 1/10, ISO 200, 220.0mm

    Sunsets are a wildly popular photographic subject.
    And for good reason. Sunlight pouring in from the horizon, bouncing off clouds in a myriad of colors, is a feast for the eyes. But how many times have you looked at a sunset photo, ooh’d and ah’d at the colors, and then moved on with little memory or interest in what you saw? I am continually disappointed with snapshots of sunsets without any other interesting elements. The colors of the sky are not enough! Some composition is usually necessary to turn your “snapshot” into a “photograph.”

    Add Interest

    This image of a sunset over Florence, Italy was shot from Florence, Italy’s Piazzale Michelangelo on the southern bank of the Arno River. In addition to the glowing orange sky over the Tuscan hillls, it also includes a diagonal river with repetitive bridges and red roof-topped buildings. Not only do these elements add compositional interest, but the sunset bounces off them in a variety of matching, yet varying, hues.

    In contrast, check out below a sunrise over the Caribbean Sea right off the shores of Belize’s Ambergris Caye. While the colors may be dramatic, and the clouds may add some interesting texture, the image has no interesting subject other than the sun. Beyond the colors, there is little unique about this photograph. Sun. Sky. Clouds. Whatever.

    ambergriscayesunrise01.jpg

    Sunrise over the Caribbean Sea, San Pedro, Ambergris Caye, Belize: Canon Elan 7, Fuji Velvia 50

    Manage the Light

    With sunrises and sunsets, the sky may be dramatically bright, but the ground may be smothered in shadows, causing an uneven exposure throughout the composition. First, as noted in my last post, use a graduated neutral density filter to create exposure parity. Close the aperture to get as much as possible into focus with a large depth of field. Also, since the sun will only add extreme contrast, showing up as one big blown out highlight over a very dark ground, keep it out of the picture.

    To account for the relative darkness of everything below the horizon, use a slower shutter speed to allow more light in. Not too slow, since you don’t want to bleach out the sky either.

    A slow shutter speed, however, increases the chance for blurriness. So, to keep everything sharp, keep your camera very still. Do what you can to steady the shot.

    I highly recommend using a tripod. If one is not handy, lean the camera against a sturdy object like a wall or a tree. Keep your elbows in and camera close to your body, take a deep breath, hold it, and squeeze (not press) the trigger.

    Kick it up a notch by using a wired or wireless remote control trigger so you don’t have to actually touch the camera. Go over the top by using a mirror lock-up, which prevents shaking to the camera itself during “the click.”

    And if you are using a tripod, maybe even do some bracketing so you can have the opportunity to use high dynamic range (HDR) software in post-processing.

    In any event, you should be taking lots of shots anyway. The scene will change every few seconds. Reds will turns to oranges. Blues will turn to purples. Take as many as possible, because while it may feel like a long time before sunset starts, when it hits the horizon it will drop like a rock.